Nothing to Declare

Surviving in a connected world

Master of None at the Sundial Theatre Cirencester, 14 October 20060

Posted by Jonno in Misc, Music (Tuesday October 17, 2006 at 1:41 pm)

Three acts - a singer/guitarist called Richard Cox, a guitar and fiddle combo called Take Two and the main act, Stroud-based Master of None. An evening of gentle music, punctuated by amusing chat and the retuning of various instruments. Multi-instrumentalists Howard Sinclair and Alex West deserve to be shot (not really) due to their ability to switch from flute to sax, guitar to piano at the drop of a felt cap; Colin Sillence brings the experience, wonderfully virtuoso fingerpicking and dodgy lyrics. An enjoyable evening out - my only criticism might be that there could have been a bit more oompf in the main set, folk doesn’t always have to be quite so laid back, perhaps that was as much down to the regimented seating as anything.

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History of Guns in WGC tonight0

Posted by Jonno in Misc, Music (Friday October 13, 2006 at 11:57 am)

Goodman Max Rael is a many-faceted character, and a good mate - or at least he would be I’m sure if I saw him more than once a year. Anyway his band The History of Guns is playing Welwyn Garden City tonight.

Think goth-punk with lots of shouting. Nische.

H at Riffs Bar 01/10/20060

Posted by Jonno in Music (Tuesday October 3, 2006 at 6:31 pm)

Having missed all of the h-natural gigs for reasons of just being too darn busy, I was delighted to be able to catch Mr Hogarth at Riffs on Sunday Night. It was one man and his Yamaha keyboard, playing a mix of Elvis and The Beatles, Tim Buckley and a few tracks from Marillion. Actually, it wasn’t just him - Swindon’s own guitar hero and “chum” Dave Gregory joined h on stage for a couple of songs, a sublime Sound of the Siren and XTC’s The Loving.

Which was nice. Actually there was more to it - the Buckley-esque Gabby Young put on an admirable support performance. It was all in a good cause as well, being part of the Oxjam music event. Shmokin’.

Porcupine Tree at the Astoria 29/09/060

Posted by Jonno in Music (Saturday September 30, 2006 at 4:39 pm)

Not a remarkable gig from the point of view of performances - as fine as ever, but half the set was new material and I’m not the best person to ‘get’ live music from a cold start… most importantly, the best audience reaction I’ve seen at a PT gig, and only a small proportion of old faces in the crowd. This wasn’t preaching to the converted - which bodes well for the new album next year.

BTW new material verdict: not bad - some strong songs, a couple of growers.

Eucon say that again0

Posted by Jonno in Music (Thursday September 21, 2006 at 10:03 pm)

How very remiss of me. Two weeks ago I attended Eucon, the Rush convention at the Limelight (of course) club in Crewe, UK. It was a convention in the traditional sense - seasoned fans taking the opportunity to share their experiences and share the experience. As well as shifting a few books, it was a distinct pleasure to meet so many friendly people from the UK and elsewhere around the world. It was also a delight to finally meet Donna Halper, after so many phone calls and emails! Thanks very much everyone for making me feel so welcome, to Paul for keeping me company, and of course to Ashley for inviting me!

Marillion on the box0

Posted by Jonno in Music (Friday April 28, 2006 at 9:21 pm)

Not that box, but Pandora - apparently, its part of the “Music Genome Project.” I’d not heard of it, maybe I need to stay in more. Believe it or not, I don’t live, breathe and sleep Marillion, even if I did write a book about them. So, when I was prompted by Pandora to put in a band that I liked, Marillion wasn’t the only potential option. Honest.

What came next intrigued me to make the post, and yes, it is about Marillion as much as its about Pandora. It came up with the following text: “We’re playing the following track because it features electronica influences, a subtle use of vocal harmony, mixed acoustic and electric instrumentation, a vocal-centric aesthetic and extensive vamping.” Now, then. Apart from the fact that I’m not absolutely sure what “vamping” is, I bet my navel that this is pretty much why the majority of Marillion fans I know listen to the band. Its also pretty much the polar opposite of what non-fans think Marillion is about these days.

Having played me “You’re Gone” (pretty much the polar opposite, etc, etc), its then played me “Can’t Explain” by ISM, “Forever and a Day” by the Dissociatives and “Where’s the Man” by Scott Weiland. What have they got in common? Something with Marillion, apparently. Also, the fact I’d never heard any of them. Three out of the four share an apostrophe, but I don’t think we can count that. They all have similar descriptions, akin to the above. Maybe that’s it. There’s various things I can do from here - the first is “subscribe”, and I think, why not. I can pick one of the songs so far and go down a different route, or I can just let it play - there’s the occasional advert apparently, we’ll see if it starts to bug.

Finally, and the reason I launched it in the first place, I can link it to my Last.fm account through this mashup by Gabe Kangas. Next up: “Buffalo Swan” by Black Mountain. Cool. Now, either Pandora is staffed by people that are trying to subliminally point the world towards certain bands (”AC/DC? Hmm, yes, try this - lots of vamping”) or there really is something in it. We’ll see, but for now I’ll side with the latter.

Horses for Courses - Myspace and Music0

Posted by Jonno in Tech, Misc, Music (Monday February 20, 2006 at 9:43 pm)

All networking sites are created equal, but some are more equal than others. Myspace for example, seems to be rapidly becoming the port of call for musicians and bands. I know of a few bands that are up already (I’ll dig them out and list them), Simon Apple (I think) and John Wesley for example, and a music producer recently said to me “you can find them on Myspace” in the same way that you might talk about the best parties. Fish has just announced a Myspace presence as well.

Sort of repeats the theme that its all about community, methinks.

Rush Addendum updated5

Posted by Jonno in Music (Wednesday February 8, 2006 at 8:52 pm)

(edit Feb 9)

For Rush readers, I have put together a printable PDF of the addendum entries found to date. There are 22 of them, we shall know in time if there are any more to be found. Of these:

- Ten are dating or timing errors
- Seven are typos and editing errors
- Five are factual inaccuracies

Truth be told, I was feeling more than slightly uncomfortable about the number of errors found in this book. As I was flicking through to put together the above addendum, I started remembering exactly how much of a mountain of information (some inaccurate) that I waded through to compile the book itself. It didn’t make me any less regretful of the errors, in particular the inexcusable typos (Getty! Argh!), but I do still believe that we did everything we could to get it as accurate as we possibly could at the time. In a word, sorry.

Oh well, onward and upward. Thanks to all those people who have pointed out the mistakes above. As indicated, the next reprint (due imminently) will fix the first ten issues in the text, leaving twelve which will probably now have to wait for the paperback.

Nobody Likes Feedback2

Posted by Jonno in Tech, Misc, Music (Monday February 6, 2006 at 11:30 am)

Its Monday morning and the start of a new week. First thing to do - check email, have a browse, read some blogs and check Amazon for the chart position of the Rush book (OK its in the four-thousands now, but why not, its all good procrastination). The eye inevitably strays onto the reviews… and ouch! There’s another three-star baby in there. “Not well written, badly formatted, poor pictures.” Hum.

Following an initial, “What the heck” denial, the reaction is to put oneself into an entirely self-serving justification mode, “If only he knew what effort went in, etc, etc.” Of course this is a huge mistake. Next stage comes the, “Maybe he’s right,” (which of course, he is); then the recognition that, of course, he is right, both to have his opinions and in his justification of them.

All of this within the space of about a half hour, a microcosmic version of the four stages of trauma (denial, anger, bargaining, acceptance) or the four stages of team dynamics (forming, storming, norming, performing). Yet again I discover that my feelings are not my own, but purely some sequence of chemical reactions to cause various synaptic connections to form and reform in my grey matter.

Hum.

Speaking of connections, I notice that Garr Reynolds put a handy summary of the Cluetrain Manifesto up on his blog, over the weekend. If I may summarise his summary, the manifesto boils down to three words - “Markets are conversations.” About five years ago it appeared for many as absolutely the right thing to be said, just when the internet was fouling up corporations’ efforts to put some kind of sheen on their doings. It was also, so totally just at the wrong time, a victim of the bubble bursting, all of its sage ideas left to rot as bricks overtook clicks in the fashion industry we call IT. So - its good to see the Manifesto re-emerging, or at least being given a bit of credit.

Meanwhile, here’s the link. I fully applaud Amazon’s ability to print comments, indeed, I use them all the time when deciding what to buy. However, the interaction is all one way - there can be no Cluetrain-style conversation initiated here, either between reviewers, or between reviewer and author. This opens up a whole set of questions, not least, should the author actually be able to comment on the feedback of others? In the case above I would have loved to do so, but I’m not sure it is always such a good idea; not least because it might stymie further critique, but also because the author’s own comments might not necessarily be that valid. I’ve seen the former when I’ve participated on mailing lists - there’s no better way to halt a perfectly good tirade, than for the author or artist to wade in with their own opinions. Its one of the reasons why I’ve stopped posting things to the Rush lists, for example, though I confess I do have a quick peep every now and then. As for validity, one could probably determine what stage I was at (denial, anger etc) based on whatever comments I made.

Second (and this goes to the heart of Cluetrain), are all markets really conversations? For a conversation to exist there has to be both a channel of communication open, and a common language available to, all sides. I believe that Cluetrain is saying, companies should open their ears and start listening to their customers that are already in conversation. Perfectly valid, but many customers are considerably quieter, and it would be a big mistake to prioritise conversations with the more vocal customers, over serving the needs of the less vocal. Conversations are valid up to a point, but then, whether its a book being written, or the latest brand of soap powder, or a new gizmo being released, there has to be scope for leaving people to get on with it. Equally then, on the other side of the fence, producers have to accept there are consumer-oriented conversations that should take place without the producers being present - kind of, “would you mind leaving the room now please, we want to talk about you in private.”

As always, the keyword is going to be ‘balance’. There can be no absolutes here - if anything, with blogs, discussion boards, conversations, feedback and the like, it all serves to illustrate how far we have to go with these interactive technologies. It’s one, big, indeed global experiment, one in which I am very happy to participate.

Feedback welcome ;-)

P.S. Hands up anyone who thought this post was to be a comment on the Rush EP

The Bells25

Posted by Jonno in Music (Thursday January 26, 2006 at 6:01 pm)

Here’s a snippet from Mike Oldfield’s Web site:

“Hello you !
It has surely been a time of big changes and realisations these last few months, not least of which has been the writing of my Autobiography. This is nearing completion with the help of my co writer Jon Collins and hopefully will be published this year if not early next. During the process of bringing this book to life I have realised a great many things about myself and my position in the scheme of things.( Oh for the gift of hindsight ! ) This will surely influence my future personally and creatively.
I have contractually three and a half more years to work on a new piece of music so this will give it a chance to evolve and mature nicely. Meanwhile look out for some promotion for the Platinum Collection , the book , and who knows what else
the fates may send . With all my best wishes : )”

It’s a cracking story, and I’m delighted to be involved.

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